Temp Sound Solutions – Now You’re Playing With Powar X: Endgame

Ah, another day another blog update…

Oh wait, more like 3 months eh?

I guess that Bieber album was worse than I thought. Well, it’s time to pick things back up with one of my favorite video game tribute bands in their latest album!

I don't even know how to find alt attributes anymore. Does that require Opera or some crazy stuff?

Lorem ipsum dolor sit amet connectetuer velit pretium euismod ipsum enin, and all that.

To put it simply, Temp Sound Solutions is a video game cover/tribute/whatever band based in Baltimore, Maryland, and have been in the “scene” for way longer than there ever was one. Led by the world’s busiest drummer*, Shawn Phase, and filled the rest of the way out by some amazing string-guys, Kirby Pufocia and Alex “housethegrate” Liss, with Spookmeister C on the rad 5 string metal bass, TSS  are one of the truly unique video game acts out there; which may not be saying much considering there are only about 30ish bands even doing this stuff. Still, hear me out!

When listening to Powar X , which I suggest you do, you may find the presentation somewhat unique. For one, it is definitely not intended for your typical 80’s retro-enthusiast, as maybe only 3 or 4 of the songs are from A-list games or even games people have heard of. Even an embarrassingly obsessed VGM junkie like myself had to look up over half the tracks (and even had to ask the band themselves what a couple of them were). For two, despite its somewhat lo-fi sound, eagle-eared listeners will detect that there are some seriously amazing performances going on here.

As I just mentioned, the material itself is so obscure at times that you may well wonder what exactly is going on here. Well, to the best of my knowledge, based on his writing on some of the “niche within a niche” corners of the internet (including my personal favorite, Lost Levels) Shawn Phase simply (or perhaps complicatedly) loves the crap out of old games. When I asked him once “Why Garfield on the Genesis?”, his answer was simply that he loves Garfield and wanted to cover that song.

Though I have only had a few conversations with the other members of the group, I can definitely attest to the same attitude of damn-the-Man retro love being present across the board. Temp Sound Solutions is like this impossible mix of excellent musicianship and true passion for those old gray cartridges (and sometimes compact discs), and to look at them performing on stage you can just tell that they genuinely love what they’re doing, so much so that sometimes they take of their shirts halfway through so be ready for that.

Anyway, having said that, let’s look at the actual album!

We start with a chilled out track that comes from the title screen of a Sega Genesis game called Ecco Jr., which according to Wikipedia, was apparently composed by a Hungarian football player… Yeah I think we’re going to not use Wikipedia as a source today…

Whether you’re familiar with the “for the kids” chapter in the popular dolphin-based game series or not, at least most gamers should recognize the second track as the “Air Man” stage theme from the perennial favorite in a long series of games called Mega Man 2. “Air Man” is something of a favorite of mine, not just because the original song is among my favorite pieces of video game music ever, but because Kirby and House, who play the song’s featured solo in unison, both play it perfectly, and that is no easy task. The best part is that the song goes on for 4 loops, so you get to hear this super tight impossible guitar solo 4 times, each time with a little something extra added to the crazy drumming parts so as not to simply sound like the same song being looped.

Despite the expertise displayed in “Air Man” (or is it “Airman”?), that’s nothing compared to the crazy displays of phalangeal dexterity contained in the fast-flying kind of funk/metal hybrid cover of music from Gauntlet. I’ve seen the band play this in person and I still don’t believe it!

Extreme difficulty of Gauntlet and others aside, it was the tracks that I am more personally familiar with that really hit home (as is often the case with these kinds of songs). The high point for nostalgia was almost certainly the band’s treatment of the original NES Teenage Mutant Ninja Turtles game. Being that it was the first game I owned besides the original Super Mario Bros./Duck Hunt cartridge, I was immediately rushed back to age 7, where I spent a large portion of time every day slowly working my way towards victory over an impossible Technodrome and a surprisingly easy Shredder (surprising considering the game is BALLS HARD). The band covers the first two songs you’re likely to hear in the game, and then curiously follows it up with the Technodrome music from the second game (the “proper” arcade conversion rather than the original game that was released on the system first). Still, in the words of a great ship captain/internet meme, “You know what you doing.”

Speaking of the internet, I think Temp Sound Solutions pulled one of the greatest moves in VGM band history by covering a song from a game so obscure, it was never even known to actually exist until a couple of years ago! Yes, Bio Force Ape, one of the most sought-after and prized of the “only rumored to exist” prototype games of the “old school” era, was famously discovered and dumped into delicious, buttery ROM form, and a generation who never thought they’d live to see the day are now able to play the prototype in all its unfinished glory.

Naturally, Shawn Phase and the boys saw it fit to celebrate by covering one of the songs contained in the prototype’s data, making Temp Sound Solutions perhaps the first band to cover music from games that were never released!

If pulling a unique move like that wasn’t enough for you, TSS also cover the “Commando Man” stage from Mega Man 10, (not to be confused with Mega Man X), which is an NES game that came out in, oh let’s see, last year.  Still, the song is every bit as good as any Mega Man game that came out back when they were current, so trust me, no complaints here.

Honestly, I don’t want to give away too much about the album**, as I think you should hear the entire thing, and if something comes up that you don’t recognize, by all means go and look it up! I learned several new things about gaming in general that I didn’t even know about simply by researching the music on this album, and if that doesn’t make Powar X a great tribute to gaming history, then at least it’s a freaking cool album full of kick-ass tunes.

Seriously, I think they’ve still got discs available. Hop to it! And if you’re on the East Coast or thereabouts, catch one of their upcoming shows and like them on Facebook and all that jazz!

Like Album Du Jour? Why not make it official on Facebook!

*I mean that in two ways; Shawn has involved himself in more projects than I can even bother to research, and his actual playing style requires hitting each drum about 4 times more than your average drummer. Easily my favorite style of drumming if you take note of my drum compliments (drumpliments?)

**Except to say that the ambiguously-veiled ending song is among my oldest and dearest memories of early gameplay! FAAAAAXANA….